FULL-LENGTH PLAYS
THE KNOT
• Production (M.F.A. Thesis): The Catholic University of America (dir. Kristin Clippard); Washington, DC, 2018
SINNER-MAN
• Finalist: The Playwrights' Center Core Apprenticeship, 2018
• Finalist: First Flight/Boomerang Theatre Company, 2017
• Second Rounder: Austin Film Festival, 2017
• Reading: Team Awesome Robot (dir. Elissa Goetschius); New York, NY 2017
• Finalist: Salt Lake Acting Company/Davey Foundation Grant, 2016
• Semifinalist: The Princess Grace Award, 2016
• Finalist: O'Neill National Playwrights Conference, 2015
• Reading: EMP Collective, ParityFest; Baltimore, MD, 2015
• Workshop and Reading: Theater Alliance, Flashpoint Mead Theatre Lab; Washington, DC, 2014
• Reading: Theater Alliance, Hothouse New Play Series; Washington, DC, 2014
• Commissioned by Theater Alliance; Washington, DC, 2013
HOUSE BEAUTIFUL
• Semi-finalist (current): PlayFest, Orlando Shakespeare Theater, 2018
• Production: Wichita State University; Wichita, KS, 2017
• Winner: Wichita State University Playwriting Contest, 2016
• Workshop: Sewanee Writers’ Conference (Dan O’Brien); Sewanee, TN, 2014
• Finalist: The Larry Neal Writers’ Award, 2014
• Semi-finalist: O'Neill National Playwrights Conference, 2014
• Reading: Theater J, Tea@2 series; Washington, DC, 2013
• Reading: The Kennedy Center’s Page-to-Stage Festival, Strand Theater; Washington, DC, 2013
• Reading: Theater J, Locally Grown Festival; Washington, DC, 2013
• Commissioned by Theater J; Washington, DC, 2012
VICEHAVEN
• Semi-Finalist: In-Progress New Play Reading Series, Unicorn Theatre, 2018
• Finalist: Pegasus PlayLab; 2018
• Reading: Scripts in Play, WSC Avant Bard; Arlington, VA, 2016
• Workshop: Playwrights Arena, Arena Stage; Washington, DC, 2016
• Reading: Kogod Cradle Series, Arena Stage; Washington, DC, 2016
CONDO CONDO CONDOLAND
• Reading: Old Sound Room (dir. Anne Cecelia Haney); Brooklyn, NY, 2017
• Workshop: ESPA/Primary Stages (Rogelio Martinez); New York, NY, 2014
• Selection: Last Frontier Theatre Conference; Valdez, AK, 2014
• Production: E.M.P. Collective; Baltimore, MD, 2013
• Reading: E.M.P. Collective at Center Stage 50Fest; Baltimore, MD, 2012
LEISURE WORLD
• Nomination: L. Arnold Weissberger Award for Playwriting, 2017
INHERITANCE CANYON
• Finalist: The Navigators Lift Off Series of New Plays; 2017
• Production: Women's Voices Theatre Festival, Taffety Punk Theatre Company; Washington, DC, 2015
• Commissioned by Taffety Punk Theatre Company; Washington, DC, 2014
SOMERSAULTING
• Reading: NEWvember New Plays Festival, Tangent Theatre; Tivoli, NY, 2016
• Finalist: The Inkwell; 2015
• Workshop and Reading: Field Trip Theatre; Washington, DC, 2014
• Reading: The Kennedy Center’s Page-to-Stage Festival, Taffety Punk Theatre Company; Washington, DC, 2012
• Workshop: Taffety Punk Generator; Washington, DC, 2012
• Workshop: The Artists Bloc; Washington, DC, 2011
FALLBEIL
• Production: Glass Mind Theatre; Baltimore, MD, 2013
• Production: Field Trip Theatre, Capital Fringe Festival; Washington, DC, 2013
• Workshop and Reading: Field Trip Theatre; Washington, DC, 2013
• Workshop: Great Plains Theatre Conference, PlayLab; Omaha, NE, 2012
• Reading: The Sweatlodge/Gold Leaf Studios; Washington, DC, 2011
• Winner: DC Commission on the Arts and Humanities YAP Award, 2010
OWL MOON
• Published by Original Works Publishing; 2012
• Production: Taffety Punk Theatre Company; Washington, DC, 2011
• Reading: The Kennedy Center’s Page-to-Stage Festival, Doorway Arts Ensemble; Washington, DC, 2009
SHORT PIECES (SELECTED)
THAT'S HOW I LIE (Catholic University, dir. Shirley Serotsky); THE ICE ROOM (Interrobang Theatre Company; KCACTF Regional Conference; Center Stage Playwrights Collective Showcase); BROMO (Intersections Festival; EMP Collective); CLOWN TOWN (Theater Alliance); COOLSVILLE (The Horn Project); TINDERBOX (SWAN Day/Nu Sass; Forum Theatre ReActs); THE PRESSURE COOKER (Source Festival ABD)
FILM/TELEVISION
ACTRESS (original feature length screenplay); SIGNS AND WONDERS (original one-hour drama pilot); UNBREAKABLE KIMMY SCHMIDT: KIMMY GOES TO A MOVIE! (half-hour comedy spec)
ADDITIONAL AWARDS/HONORS
DC Commission on the Arts and Humanities Artist Fellowship (2014-2018), Tennessee Williams Scholarship in Playwriting (2014), Weissberg Foundation Award (2014), Creative Communities Fund Grant (2012), DC Commission on the Arts and Humanities YAP Award (2010)
AFFILIATIONS
Women in Film & Video, Playwrights' Arena (Arena Stage), Playwrights Collective (Center Stage), Taffety Punk Theatre Company, Dramatists Guild of America
TRAINING/ADDITIONAL WORKSHOPS
M.F.A., Playwriting, The Catholic University of America; Washington, DC, 2018
Half Straddle Workshop, Tina Satter and Jess Barbagallo; New York, NY, 2016
Millay Colony Workshop, Kara Lee Corthron; New York, NY, 2013
Beginning Writing for the One-Hour Drama, Deborah Joy LeVine; UCLA Extension, 2013
Inkwell Master Class, Michael Bigelow Dixon; Washington, DC, 2011
24 With 5 Teaching Collective, New Dramatists; New York, NY, 2006
THE KNOT
• Production (M.F.A. Thesis): The Catholic University of America (dir. Kristin Clippard); Washington, DC, 2018
SINNER-MAN
• Finalist: The Playwrights' Center Core Apprenticeship, 2018
• Finalist: First Flight/Boomerang Theatre Company, 2017
• Second Rounder: Austin Film Festival, 2017
• Reading: Team Awesome Robot (dir. Elissa Goetschius); New York, NY 2017
• Finalist: Salt Lake Acting Company/Davey Foundation Grant, 2016
• Semifinalist: The Princess Grace Award, 2016
• Finalist: O'Neill National Playwrights Conference, 2015
• Reading: EMP Collective, ParityFest; Baltimore, MD, 2015
• Workshop and Reading: Theater Alliance, Flashpoint Mead Theatre Lab; Washington, DC, 2014
• Reading: Theater Alliance, Hothouse New Play Series; Washington, DC, 2014
• Commissioned by Theater Alliance; Washington, DC, 2013
HOUSE BEAUTIFUL
• Semi-finalist (current): PlayFest, Orlando Shakespeare Theater, 2018
• Production: Wichita State University; Wichita, KS, 2017
• Winner: Wichita State University Playwriting Contest, 2016
• Workshop: Sewanee Writers’ Conference (Dan O’Brien); Sewanee, TN, 2014
• Finalist: The Larry Neal Writers’ Award, 2014
• Semi-finalist: O'Neill National Playwrights Conference, 2014
• Reading: Theater J, Tea@2 series; Washington, DC, 2013
• Reading: The Kennedy Center’s Page-to-Stage Festival, Strand Theater; Washington, DC, 2013
• Reading: Theater J, Locally Grown Festival; Washington, DC, 2013
• Commissioned by Theater J; Washington, DC, 2012
VICEHAVEN
• Semi-Finalist: In-Progress New Play Reading Series, Unicorn Theatre, 2018
• Finalist: Pegasus PlayLab; 2018
• Reading: Scripts in Play, WSC Avant Bard; Arlington, VA, 2016
• Workshop: Playwrights Arena, Arena Stage; Washington, DC, 2016
• Reading: Kogod Cradle Series, Arena Stage; Washington, DC, 2016
CONDO CONDO CONDOLAND
• Reading: Old Sound Room (dir. Anne Cecelia Haney); Brooklyn, NY, 2017
• Workshop: ESPA/Primary Stages (Rogelio Martinez); New York, NY, 2014
• Selection: Last Frontier Theatre Conference; Valdez, AK, 2014
• Production: E.M.P. Collective; Baltimore, MD, 2013
• Reading: E.M.P. Collective at Center Stage 50Fest; Baltimore, MD, 2012
LEISURE WORLD
• Nomination: L. Arnold Weissberger Award for Playwriting, 2017
INHERITANCE CANYON
• Finalist: The Navigators Lift Off Series of New Plays; 2017
• Production: Women's Voices Theatre Festival, Taffety Punk Theatre Company; Washington, DC, 2015
• Commissioned by Taffety Punk Theatre Company; Washington, DC, 2014
SOMERSAULTING
• Reading: NEWvember New Plays Festival, Tangent Theatre; Tivoli, NY, 2016
• Finalist: The Inkwell; 2015
• Workshop and Reading: Field Trip Theatre; Washington, DC, 2014
• Reading: The Kennedy Center’s Page-to-Stage Festival, Taffety Punk Theatre Company; Washington, DC, 2012
• Workshop: Taffety Punk Generator; Washington, DC, 2012
• Workshop: The Artists Bloc; Washington, DC, 2011
FALLBEIL
• Production: Glass Mind Theatre; Baltimore, MD, 2013
• Production: Field Trip Theatre, Capital Fringe Festival; Washington, DC, 2013
• Workshop and Reading: Field Trip Theatre; Washington, DC, 2013
• Workshop: Great Plains Theatre Conference, PlayLab; Omaha, NE, 2012
• Reading: The Sweatlodge/Gold Leaf Studios; Washington, DC, 2011
• Winner: DC Commission on the Arts and Humanities YAP Award, 2010
OWL MOON
• Published by Original Works Publishing; 2012
• Production: Taffety Punk Theatre Company; Washington, DC, 2011
• Reading: The Kennedy Center’s Page-to-Stage Festival, Doorway Arts Ensemble; Washington, DC, 2009
SHORT PIECES (SELECTED)
THAT'S HOW I LIE (Catholic University, dir. Shirley Serotsky); THE ICE ROOM (Interrobang Theatre Company; KCACTF Regional Conference; Center Stage Playwrights Collective Showcase); BROMO (Intersections Festival; EMP Collective); CLOWN TOWN (Theater Alliance); COOLSVILLE (The Horn Project); TINDERBOX (SWAN Day/Nu Sass; Forum Theatre ReActs); THE PRESSURE COOKER (Source Festival ABD)
FILM/TELEVISION
ACTRESS (original feature length screenplay); SIGNS AND WONDERS (original one-hour drama pilot); UNBREAKABLE KIMMY SCHMIDT: KIMMY GOES TO A MOVIE! (half-hour comedy spec)
ADDITIONAL AWARDS/HONORS
DC Commission on the Arts and Humanities Artist Fellowship (2014-2018), Tennessee Williams Scholarship in Playwriting (2014), Weissberg Foundation Award (2014), Creative Communities Fund Grant (2012), DC Commission on the Arts and Humanities YAP Award (2010)
AFFILIATIONS
Women in Film & Video, Playwrights' Arena (Arena Stage), Playwrights Collective (Center Stage), Taffety Punk Theatre Company, Dramatists Guild of America
TRAINING/ADDITIONAL WORKSHOPS
M.F.A., Playwriting, The Catholic University of America; Washington, DC, 2018
Half Straddle Workshop, Tina Satter and Jess Barbagallo; New York, NY, 2016
Millay Colony Workshop, Kara Lee Corthron; New York, NY, 2013
Beginning Writing for the One-Hour Drama, Deborah Joy LeVine; UCLA Extension, 2013
Inkwell Master Class, Michael Bigelow Dixon; Washington, DC, 2011
24 With 5 Teaching Collective, New Dramatists; New York, NY, 2006